THINK AS HUMAN
Design including life, creativity, behavior, and senses... but all the different motives finally return to one reason “human”. I think design is an embodiment of humanism, therefore, at the beginning of any cases of design, standing on the human side and consider every situations, feeling what people feels, is my core value.
SDANLEY SHEN
Taiwan, 1988
Based in Japan
2012年から台湾にてフリーランスデザイナーとして活動を開始。2018年、武蔵野美術大学工芸工業学科インテリアデザインコース大学院修了。 同年に東京にてSDANLEY DESIGN WORKSを立ち上げる。2019年にオフィス兼ショップのMOONBASEを設立。活動は台湾、日本、アメリカなとのグラフィックデザインや、家具、インテリアデザインなと多岐にわたる。
2010 台湾大同大学インダストリアルデザイン学科卒業
2018 >武蔵野美術大学工芸工業デザイン学科 インテリアコース修士卒業
>SDANLEY DESIGN WORKS デザイン事務所設立
2019 >edit EXHIBITION ビジュアルディレクター
>Moonbase design office and shop 設立
2019 武蔵野美術大学工芸工業デザイン学科特別講師着任
2020 MULTISTANDARD デザイングループ 結成
2009 TAIPEI INDUSTRIAL DESIGN AWARD SILVER AWARD
2018 >武蔵野美術大学卒業制作 優秀賞
>SELECTED WORKS DEGREE SHOW 2018 出展
2019 edit EXHIBITION IN TOKYO 出展
2020 DESIGNART TOKYO 2020 出展
Sdanley Shen Started as a freelance designer since 2012 in Taiwan. After he graduated from Musashino Art University in 2018, he established his personal design studio ‘SDANLEY DESIGN WORKS’, which based in Tokyo. Now he engaging graphic design with different clients from America, Japan, and Taiwan. Also focus on furniture and interior design.
2010 Graduated from industrial design department of Tatung University
2018 >Graduated from Master's degree of Interior design course of Industrial, Interior and Craft Design department of Musashino Art University
>Started SDANLEY DESIGN WORKS design studio
2019 >edit EXHIBITION visual director
>Established Moonbase design office and shop
2019 Special lecturer Musashino Art University industrial, Interior and Craft Design department of Musashino Art University
2020 Grouped up MULTISTANDARD Design
2009 TAIPEI INDUSTRIAL DESIGN AWARD SILVER AWARD
2018 >Excellence Graduate Award of Musashino Art University
>SELECTED WORKS DEGREE SHOW 2018
2019 Member of edit EXHIBITION IN TOKYO
2020 Exhibitor of DESIGNART TOKYO 2020
About SDW logo
Like my logo to be well worth a second look, it must be simple-looked, but it still need some story behind. So I used the 24-gon (as it started my design work when I was 24 years old) to be a main visual element. Learning continuously as time pass by year and year, it grows every year as my ability, my thought, 25-gon, 26,27.... one day hope it will near to the circle, which means to near perfect.
